Cast: Dhanush, Bérénice Bejo, Erin Moriarty
Director: Ken Scott
Genre: Comedy, Drama
Running Time: 92 minutes
Synopsis: Based on the international best-seller, and in the tradition of Forrest Gump, The Extraordinary Journey Of The Fakir takes us on a wild ride of coincidence and circumstance. Aja, a young fakir (magician) from the streets of India arrives in Paris in search of his past and his future. He falls headover-heels for Marie, whom he meets amongst the cabinets and couches in an IKEA store, and plans to meet up with her again the next day. When he accidentally gets stuck in a wardrobe that is shipped in the night to the UK, Aja finds himself on the run from border police and bandits alike. As he tries to make his way back to the city of love, Aja finds himself crossing many borders and meeting many colourful characters. Will fate and a briefcase of magic tricks be enough to get him back to Marie and the father he never knew?
The Extraordinary Journey Of The Fakir
Release Date: May 2nd, 2019
Preparing for the film gave rise to long stints in many countries. Filming in India started in April 2017 in Mumbai " in the colourful alleys of Worli, at the edge of the ocean, a fishing district in which hero's childhood unfolds. The workplace of Siringh, Aja's mother, is the famous Dhobi Ghat outdoor laundry through which the linen from the nearby hotels passes through, and where more than two thousand people work. A brilliant Indian team experienced in local productions guided the European team in sweltering heat.
The filming continued in Paris, in Brussels and its surroundings, then in Rome, right at the beginning of tourist season. Filming at the Trevi Fountain resulted in a funny face-to-face with the Italian police, who wanted to send the team away from the famous masterpiece by Nicola Salvi. In Paris, Ken Scott looked at street corners for new angles in famous places. Drones complemented by SFX made it possible to film a small paper aeroplane from the Eiffel Tower to the Père Lachaise cemetery.
A renowned Bollywood choreographer, Vishnu Deva, as well as several Indian dancers came to supervise the rehearsals and the shooting of the dance sequence. Dhanush, recognised everywhere in India, but appearing for the first time in Europe, brought his grace, talent, impromptu dance steps and songs, and the delicious vegetarian cuisine of southern India to the shoot.
Question: What interested you about The Extraordinary Journey Of The Fakir?
Ken Scott: While the producer Luc Bossi was at the Cannes Film Festival, he called me to ask if I was available for a project he was developing. He sent me the book and the script and I loved the tone of the story. I was also engaged by the humour as well as the love story, but especially because it is above all an adventure film!
Question: How did you develop the plot?
Ken Scott: After reading the book and the script, and speaking with Luc, I felt that I needed to rewrite certain scenes so that the film matched the vision I had. I must say that I really enjoyed being able to take ownership of the project, even if I was driven by the novel " I basically developed aspects that were already present in the book. Question: The story itself is very picturesque.
Ken Scott: Absolutely. For me, it's a fable. Moreover, during the rewrite of the script and during filming, I made sure that this dimension is felt. It is also a story of discovery about a young Indian from Mumbai who never knew anything but his modest neighbourhood. During the film, he sees his horizons expand. This evolution was exciting to explore from a cinematic point of view.
Question: Have you been inspired by certain books or films?
Ken Scott: I was very inspired by Romain Puértolas' (author of The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe) book, which has such richness to it. I felt very close to it, probably because The Grand Seduction, which I wrote, and Starbuck, which I wrote and directed, mix humour and fantasy, just like The Extraordinary Journey Of The Fakir. The films that inspired me are Being There (Welcome Mister Chance) by Hal Ashby, Scorsese's After Hours, and LA Vita E Bella (Life Is Beautiful) by Roberto Benigni. Before the shoot, I also wanted to re-read "Candide" by Voltaire and Homer's "Odyssey".